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1. #Manfrotto 141rc manual how to#
2. #Manfrotto 141rc manual manual#
3. #Manfrotto 141rc manual professional#

You can add your own comments on Paulo’s photograph on the Critiquesection of our Discussion Forum.Ī straightforward perspective and an undramatic subject, but I still think it works. Paulo has a good eye but needs to be more adventuresome in his subject matter. It’s safe and predictable, and often for this reason boring. So often it’s easy for photographers to feel comfortable with what they’ve done because it breaks no new ground. But, I’ve seen them all before, many times. Each is also technically quite nicely done. Paulo’s 3 submitted photographs ( the rules now say only 1 submission) are each lovely in their own ways. Paulo Bizarro 1n, 180 macro, f/3.5, 1/350 sec., E100SW, tripodįlower:EOS 1n, 180 macro, Provia F, probably f/22 and 1 sec You can add your own comments on Ken’s photograph on the Critiquesection of our Discussion Forum. A good photograph has to work on both the technical and esthetic level. Having an appealing subject isn’t enough. The image also looks like it could use a bitof spotting. The horizon line is tilted and the chick’s beak disappears into it’s wing. The out-of-focus foreground is a messy distraction.

#Manfrotto 141rc manual how to#

The chick is quite cute and has been caught in a lovely moment as it apparently practices how to soar.īut, the photograph fails in a number of ways. I was actually shooting a test roll for my then new EOS-1V and this shot came as a nice surprise using P mode to see how good the 1V was. You can add your own comments on Enrico’s photograph on the Critiquesection of our Discussion Forum.

Because of the severity of the crop and the fact that this was shot on 35mm, quality might not hold up for a large print though. I would crop it on the left side just to the right of the pole and at the bottom just below the wave. The Venetianscould be cropped somewhat more severely. A more rectangular format would give it a slightly greater tension and I feel that the removal of the extra ripples would take nothing away from the informational content of the picture. The only suggestions that I would make would be to crop the Po Riverimage slightly at the bottom. Though photographed in different place at different times with different types of cameras, the use of monochromatic colour unifies them. I am particularly taken with the consistency of vision that the two images display. These two photographs stand out from the other submissions thus far this month. I hope the love for the beauties of this planet can go far beyond photography, to reach all those that in some degree are responsible of their waste. No need to say that your site is one of the better photography sites I visited ever very appreciated the possibility for everyone to submit pictures. In my landscapes is almost always present the sign of Man for my main interest is to investigate the relationships between natural world and human history. My favorite subjects are landscapes, especially under particular light, still life and flowers.

So I consider photography more a cultural activity than a hobby. Now, photography is not my job, but does have an important part in it.

Theory, History and practice of Photography were my passions from my teenage.

#Manfrotto 141rc manual professional#

Professional architect, teacher of Building Mechanics and Technology at high school for surveyors.

#Manfrotto 141rc manual manual#

near Murano (Venezia) Camera & lens: Nikon F4 with AF Nikkor 300 f4 ED-IF Film: Fuji Velvia rated at 50 ISO Light meter: F4 internal in matrix manual mode Tripod: Handheld Filters: None Time & aperture: unrecorded Flash: None VenetiansPicture taken in April 1999, roughly at 7 p.m. Camera & lens: Mamiya RZ67 with Mamiya-Sekor Z 90 f3.5W Film: Kodak E100VS rated at 100 ISO Light meter: Minolta Spotmeter F Tripod: Manfrotto 141RC tripod Filters: None Time: 8 sec. from Gerola’s bridge on the Po, the major italian river. The July winner of a complimentary 1-year subscription the Luminous Landscape Video Journalwas Enrico Pocopagni.Įnrico Pocopagni‚ July, 2000 Contest WinnerĮnrico Pocopagni, Genoa riverPicture taken in February 2000, roughly at 6:30 p.m.

This page contains submissions made during July, 2000 from photographers who wished to have their photographs reviewed by the publisher of this site, Michael Reichmann.For additional details see the Critique / Contestpage.